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o say, can you see by the dawn's early light what so proudly we hail'd at the twilight's last gleaming? whose broad stripes and bright stars through the perilous fight o'er the ramparts we watch'd were so gallantly streaming? and the rocket's red glare the bombs bursting in air gave proof through the night that our flag was still there o say-

and dumb we’re just recording random shit now over nothing stop mmmmmmMMMMMMahhhhhh that was all she wrote she went and cried hello that’s that mmmmm all ehhhhhhhhh we weo ooooooooOOOOOOOOOO AhhhhhhhAAAAHHHHHH booeep we are not responsible look at that. it’s just solid solid-like this: (record it on a different track) i am. it always records on a different... nah you have one of those silent printers silent what? silent printers. like, i don’t hear anything. it should go shut up shhhhhh it’s ee i’m ur in- help kiss youself it’s trying to be. it’s trying to print. say it is that how did that go that's annoying. you looked like a little bitch. i, i like how you think like when you whisper it doesn’t hear you...

que mas? que mas? que todo sea una ruida que se te guiden como dar asi en el estallio (?) en el campo de (?) que luego de la valentilla divida en este curso de esta (?) con la que edicion que noche esta, y la que falta todavia pero esta noche tiene un postre, un postre dulcicimo miro que las chicas han estado unificando un postre de esos que no se comen todo los dias que no se encuentran todo los dias es muy personal, es un grande, es un genio, es un pensante el canta para vos, para mi, para tu mama, para tu abuelita le canta la villa le canta que es un maravilla uhhhhhhhhhh (?) veni veni arenito te estamos esperando tu esta (?) con este estadio pleno (?) es un (?) que color, que corrante, que applauso de todo de maiz, de cordoba, de america, del mundo, (?) television publica si, si , si uhhhhh (?) cu cuz we're we're all a a a we're all singing about about yeah

impossible. it's the kind of allegorical open form, I like that about it it's kind of a fantasy world that America has used to kind of process it's own history through often stamping a lot of ideology all over it yeah, it's very, that's one thing that kind of annoys me about it, is how mythological it becomes, and that I find deeply upsetting there’s a lot of, well there’s a large part of reading a lot of books, historical books, but mostly books by Native Americans or books concerning Native American thought and suddenly the connections were amazing to me it like kind of blew my mind to read you know this kind of thought from centuries ago, a very revolutionary visionary contradictory character the way he lived his life, you know? he was against churches, against money, against prisons, against fashionable opinions, against any kind of moral codes that he thought we were taught and educated to believe in, that that were against the nature of man very contradictory in a lot of ways he was a mystic who also is sort of reversed the pattern of mysticism by always looking for man at the end of the search, which is kind of anti mystical in itself he keeps coming back in the-certainly for the so-called beats in the late 50s and the late 60s, and I heard recently that a lot of the young like rave kids in England, techno kids, are again really interested, discovering… uh, you’re interesting in a sense that that what you do, and and how you go about it, and and the subjects that you choose, and the sort of roll-I mean how do you feel about the reception to you when you look at the reviews of this? well... do you think they understand what you're trying to do? the reviewers? well, the I tend not to read a lot of reviews because I prefer not to know, you know? i don't expect everyone to like it it's very unfashionable it has a very hypnotic almost hallucinatory rhythm to it it is not full of... it’s kind of almost psychedelic in a way by the end you know that there's an audience that may want some of those things, but you deliberately don't use them because you want to say something else or give some other mood and some other aesthetic? well, you know, it's not really such a calculated, conscious response to anything it's just the way that I want to tell a story, and so luckily I am allowed to be oblivious of the marketplace because i am financed independently, whatever the hell that means anymore i’m not even sure, but because everyone is independent or independents are treated like the minor leagues, you know, that might go up to the majors, and I just think of myself sort of on the periphery of, you know, the business

what appalls me is that cousin julia has no one to leave her things to. no one except us that is. did she ever let you know how lonely she was? nobody in the family ever knew much about julia. she was impossible to know. she never talked about herself. well, I simply don’t understand how she could possibly have stood it, so alone. i wonder what went on in her mind. do you suppose she ever stood here staring at these ships and dreaming that she one day might sail right out of this drab little room? once she very nearly did. just once. let me show you something, darling. oh, how horrible. what is it? an eye. what a strange thing to keep. stranger than you think. if ever a life was symbolized by any one single object, julias was, and by this, this eye. the loneliness and desolation was beyond belief. although she herself was unaware of just how lonely and desolate it really was. i imagine not long ago she had found a way to escape into a world where emotion and feeling never intrude. in her own way, I suppose, she was happy. she, well, adjusted to it. every morning she made tea on a single flame, and each day like clockwork she lunched cheaply. she looked at those two young people and wondered why life had passed her by. i wish i knew. every evening she cooked a simple meal. how could julia, whos life had been so loveless, possibly have known that when love did come it might lead to something dangerous and horrifying?yet there is one small twist in it. one odd and unaccountable thing. come in. i’m most grateful to you that you wouyld consent to see me. and I am most flattered dear lady. you were… may I say something? but of course. you’re just as I knew you would be. so so handsome. thank you. oh i’m so grateful to you for letting me come. oh, i’ve said that before haven’t I? actually I’m, well, tense I suppose. you know I’ve seen every one of your performances since that first one a year ago. it is eye who am grateful to you dear lady. my life, I regret to tell you, has been an unbelievably lonely one. oh, of course, you wouldn’t know how that is. oh, forgive me, did I say something to- no no, I was just thinking how lonely your life must be after all. we in the audience never think of an artist as being lonely. i suppose we only think of ourselves. I do want to come back again, and my time I see is almost up. i don’t quite know how to say this, but ever since I first saw you I’ve had the greatest urge to...

do you believe he’s a pedophile? i am not prepared to answer that question. not now. so yes he is. that's you’re fuckin’ answer. so i dunno, yeah, I was talkin' to someone like I just thought it was funny like you know you’re stressed about your future when you think about like the thought of killing yourself, and it sounds like really nice. like, i know, and i’m not actually like considering, but really like it’s just it’s kinda nice to think that you can just end it all, and like you would really, like, it would be so nice. you wouldn’t have to deal with all of those responsibilities and things you have to do, and i’d just like to like maybe like stab my-like cut off my arm-and let that pain just rush over me you know like a wave of pure just terror. you know, that’d be really nice. (русский / russkiy)

go. uh uh hey uh there is a fire in the break room. the break room is in the fire. the fire is in the break room. lucy. no. what? huh? lucy. what? huh? flight 503 is inbound. flight 503 is inbound. roger. rrrrroooooger. wow like classic. ehhhh.

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